![]() Both works are homodiegetic narrations of their respective protagonists’ memories both focus on their artistic failure and psychological distress both of them connect failure and distress with a desperate love. ![]() This article proposes to read the 2014 Oscar Prize winning film La grandeīellezza, by Italian director Paolo Sorrentino, alongside Alberto Moravia’sġ960 novel La noia, taking as a starting point the similarities between the works’ protagonists: Jep Gambardella, an eccentric failed writer, in Sorrentino’s film, and Dino, a painter who quits painting and is involved in a troubled love story, in Moravia’s novel.
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